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Manara Library Volume 2: El Gaucho and Other Stories, by Milo Manara
Free Download Manara Library Volume 2: El Gaucho and Other Stories, by Milo Manara
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Product details
Series: Manara Library (Book 2)
Paperback: 280 pages
Publisher: Dark Horse Books; Reprint edition (July 25, 2017)
Language: English
ISBN-10: 1506702635
ISBN-13: 978-1506702636
Product Dimensions:
8.4 x 0.9 x 10.9 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#335,305 in Books (See Top 100 in Books)
I don’t know if there is a better way to read history than through a graphic novel. Dan Carlin does a good job in his podcasts, but Milo Manara’s drawings really slow down time. Seeing the way people dressed, the ships they sailed in, the architecture. This all had to be researched so extensively. It’s beautiful. El Gaucho is a great story and the short trials are all very nice. I got a couple history lessons reading this one.
First book was pretty good, this one does not disappoint at all. Beautiful illustrations and the last half is a series of modern court cases involving historical figures like Genghis Khan, Helen of Troy, etc...Cannot wait to get volume 3.
Beautiful interesting stories, volume 1 is the best because of "Indian Summer" but this volume is good too.
I love Manara books. The stories may seem weird at first sight, however they provide you with a lesson in the end. Manara's drawing trace is very meticulous and his characters seem to give a live impression for the erotic stories. I recommend Manara's books for those fans of erotic stories!
Manara is a great artist and I am thrilled to finally be able to own this collection of his works from so many years ago!
I,did enjoy this book
Volume 2 of the Manara Library continues the high quality offering of master Italian artist Milo Manara translated into English. The volume contains El Gaucho, an historical epic crafted by Hugo Pratt and drawn by Manara together with a series of short stories drawn by the master, featuring historical characters undergoing mock trials.While the quality of this volume is as good as the previous one, fans might leave vol. 2 feeling a little empty. El Gaucho is a dense historical epic with intrigue and tragedy aplenty, but oddly lacking the lyricism of Pratt's previous "Indian Summer" and Manara's delicacy as well. In "Gaucho," Manara's art inexplicably loses some of its fine fluidity and energy, although it remains as detailed as ever and also shines for its incredible clarity. An even darker story than "Summer," "Gaucho" runs the gamut of emotions and has a fairly large cast, but perhaps because of the remoteness of the lead, the complexity of the plot or the fact that the majority of scenes are of talking heads, the story never quite pulls you in completely, and the reader experiences the events unfolding with a level of critical detachment that never quite goes away. Manara's art here too is something of a wonder - it's almost as if a different artist is drawing here than the one who drew for Pratt in Indian Summer. Surely, Manara's art style is more fluid than some would have you believe, and between the stories collected in this volume alone, Manara displays some subtle but nonetheless significant differences in overall style.My major disappointment with the volume however, is that the majority of stories of the second half of the book featuring the mini-trials of historical figures are in black and white, and this was a disappointment to me. Not a purist myself, I would have preferred to have seen these stories colored for this volume rather than left as they were originally published, although I recognize that some might take strong objection to that. I simply would prefer when paying for a volume like this to have it all be in color. The stories containing the mock trials are fairly pedestrian, although they occasionally raise an interesting question or two regarding the historical subjects they cover, but overall they lack the charm and punch of something like "Paper Man" or other Manara works.Overally, this volume was a marked let down from the previuos volume, which was so exquisitely good that I determined immediately on reading it that I had to purchase all nine volumes of this series as Dark Horse publishes it. This volume has forced me to reconsider that intention, since the lack of color for half of the book and the stories themselves are solid but never quite reach the sublime heights of the previous volume. I'll await reviews of volume 3 before purchasing, but that aside, I would strongly recommend every fan of comics own some example of Manara's work, as the artist truly is a master at his craft.
The first volume of Dark Horse's "Milo Manera Library" was phenomenal. A take-your-breath-away type of comic that makes you want to run around holding it up like some sort of holy book and shouting "This! This is why I read comics!!!" It is really that great. And I was drooling at the mouth waiting for the follow-up volume."Volume Two" is, unfortunately, disappointing.Which isn't to say it is bad. "Volume Two" still has Hugo Pratt (the genius behind Corto Maltese: The Ballad of the Salt Sea) and Manara working together on the South American adventure "El Gaucho," which is an excellent story. But the whole book just isn't that same level of amazing.Part of the problem is disparity. "Volume One" had "Indian Summer" (1980)and "Paper Moon" (1982), which were both linked thematically as stories of Native Americans in the American West, and they were completed consecutively so that Manara was at the same stage of his artistic style and career. Volume Two has "Trial by Jury" (1975) paired with "El Gaucho" (1991). The two could not be further apart. Especially "Trial by Jury," which was Manara's second published work and is so different from his usual style that I wouldn't have known it was Manara if I hadn't been told. I guess you could say they are linked emotionally; they are both bleak and depressing works.OF the two, "El Gaucho" is the real stand-out and the reason to buy this collection. This is one of two stories where Hugo Pratt and Manara collaborated and it is wonderful. In a remote village in South America soldiers come upon a nomadic tribe living with a blue-eyed white man, who claims to be over one hundred years old. Tom Brown's Spanish, unused perhaps for decades, is slow, but he tells his story of how he first arrived as a Drummer for the British Navy, and of how circumstances lead to his abandoning his former life.El Gaucho is a hard and tough story to read. There are no heroes in the dealings of conquest and colonization. And Pratt and Manara are not in the business of making heroes. There are some scenes in El Gaucho that are heartbreaking, such as when a rouge attacks a beautiful and innocent woman and drags her into a filthy shed to rape her. As the hero races to her side, you wait for the moment when he will burst through the doors to prevent the evil deed. But El Gaucho isn't that kind of story. This is the kind of story where the hero can never help anyone, and at best can revenge.The real disappointment of "Volume Two" is "Trial by Jury." Written by Milo Milani, they are a sequence of black-and-white short stories mimicking a trial where certain "villains" from history come forth to plead their case and why they should be pardoned. Each story lasts about ten-twelve pages. The trials are:* General George Custer - Massacre of Native Americans* Admiral Yamamoto Isoroku - Planned and executed the bombing of Pearl Harbor* Alfred Nobel - Inventor of dynamite and the Peace Prize* Helen of Troy - Who is actually tried twice for inciting the Trojan War* General Hernan Cortez - For his extermination of the Aztecs* Atilla the Hun - The sacking of Rome* Maximilien Robespierre - For the Terror during the French Revolution* Robert Oppenheimer - Creation of the Atomic Bomb* and Emperor Nero - Murdering his brother. Generally being a Roman EmperorThere is nothing really bad about the "Trial by Jury" pieces. Manara's early art is still beautiful, and seeing his black-and-white line work really makes you appreciate his draftsmanship. It is just that they just aren't that great, either. The stories are formulaic and repetitive by nature, and reading them all in a row is overwhelming and boring.For the price of these collections, the expectations are high. Dark Horse isn't packaging Manara's work chronologically, so they have more freedom and should be more careful about what they bundle together. The "Trial by Jury" segments would have worked much better as an ongoing back-up feature in every volume rather than collected together as a single offering. Hopefully with "Volume Three" we will be back to the all-thriller, no-filler collection of "Volume One."
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