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How to See: Looking, Talking, and Thinking about Art
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Review
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.†- Salman Rushdie“David Salle’s brilliant canvases changed everything, and now his luminescent eye and voice have married in a book that is destined to alter not only how we look at art, but the language we use to describe it. His essays are a gift that, in addition to feeding one’s process of intellection, nourishes one’s art loving soul. Transcendent.†- Hilton Als“David Salle is widely known as one of our most daring and intelligent painters, but he is also an eloquent critic. How to See is a marvel of incisive and intimate observation. For all his audacity as a painter, Salle seems touchingly proud to be a part of the family of art and to derive his pictorial forms from what he calls the ‘the shared DNA of art,’ raising the possibility that all masterworks are in fact a group project.†- Deborah Solomon“David Salle’s thoughtful, intelligent, beautifully written essays inspire us to think about, and look at, art in wholly new ways. He makes difficult subjects (and artists) seem effortless, transparent, and he wears the depth and breadth of his knowledge of art and art history so lightly that we hardly notice how much we are learning. How to See is a pure pleasure to read.†- Francine Prose“David Salle writes about art with a joyous lucidity that is both bracing―nothing, absolutely nothing, escapes his notice―and utterly disarming. He guides his readers through the complex world of contemporary art with a rare generosity of spirit, a dazzling skill at description, and a radiant honesty that are as challenging as they are irresistible.†- Ingrid Rowland“David Salle asks of other art not, where does this belong? but, what does this make me feel and think about? Salle subtly and persuasively reminds us that all art, even the most seemingly recalcitrant, is there to be looked at, and that what artists do is, exactly, teach us how to see.†- Adam Gopnik“David Salle has a sharp, thrilling eye and an uncanny ability to reorder and make new the act of seeing. These perceptive, far-ranging essays are drawn from deep knowledge and experience―reading this book feels like having a conversation about art with the smartest person in the room.†- Emma Cline“Wonderful.†- Joan Juliet Buck“Lovely to read… [How to See] is serious but never solemn, alert to pleasure, a boulevardier’s crisp stroll through the visual world.†- Dwight Garner, New York Times“An upbeat, non-combative approach to art criticism… [F]resh, engaging.†- Roger White, New York Times Book Review
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About the Author
David Salle’s paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, the National Gallery in Washington, DC, the Los Angeles County Art Museum, Tate Modern, the National Galerie Berlin, and many others. He lives in New York City.
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Product details
Hardcover: 288 pages
Publisher: W. W. Norton & Company; 1 edition (October 18, 2016)
Language: English
ISBN-10: 0393248135
ISBN-13: 978-0393248135
Product Dimensions:
6.4 x 1 x 9.6 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#63,897 in Books (See Top 100 in Books)
Do you want to feel part of the NewYork arty IN group? Reading this book is the next best thing. The writing is entertaining and the stories give you an insight into how the art world has been operations. Whether you like "modern art" or not, you will be wiser after you read this....
Maybe it takes an artist to write about artists, but this collection of essays and descriptions of artists' work, life and personalities is wonderful. Almost every essay sent me off to the rabbit hole looking for more examples of the art discussed, and so I found the book very expansive. Have a laptop at hand as you read and explore and enjoy at will.
It's hard to find artists who can write well past the essay level, and also depart from today's artistic hermetic language. Add to that, his significant place in art, his background, and the context of his "high period" and you have a something verging on classic here. A great read, and thankful the artist felt impelled to put his well-considered, chiseled insights on paper.
The title is better than the book.Some insights into the making of art, but mostly anecdotes of personal experiences with and of the artists.
Read for book group. Some essays were too short to really deal with the subject.
Its great to read a real painters view.
Maybe I shouldn't be surprised but my first reading of this book produced slight disappointment: I think David Salle is a better painter than writer about art. Probably as it should be, but it's a word of caution to prospective readers. Other reviewers here have pointed to his language stye as the problem. I'm not sure. His tone can be pedantic but is that the problem? Again, I'm not sure. I myself am not an artist but in reading about art I look for something like inspiration. In this book I found a little of that but less than expected. Occasionally he sounds enthusiastic but that can come across as calibrated or processed. I think it's partly a tone issue, but the book is serious and thoughtful enough that I'll keep it and possibly reread at some point. (I still think he's a very good painter.) I might get more out of a second reading.One more criticism: Each chapter has 1 reproduction but all are black-and-white. Would it have cost that much more to publish them in color?
Interesting read in parts but terribly self-indulgent author who has to prove how much and who he knows. For serious modern art lovers ONLY
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