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Walt Whitman's Songs of Male Intimacy and Love: "Live Oak, with Moss" and "Calamus" (Iowa Whitman Series)
Ebook Free Walt Whitman's Songs of Male Intimacy and Love: "Live Oak, with Moss" and "Calamus" (Iowa Whitman Series)
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Review
“This valuable edition riveting attention on the ‘Calamus’ poems is perfectly timed. Erkkila says they are about ‘men loving men—physically, socially, sexually, spiritually, and naturally.’ Should ‘maritally’ be added? ‘Calamus,’ arguably the pivot point of Whitman’s legacy, can help us decide as Perry v. Schwarzenegger—the landmark federal decision declaring unconstitutional any law prohibiting same-sex marriage—wends its way to the Supreme Court.”—Gary Schmidgall, author, Walt Whitman: A Gay Life“How marvelous to enjoy in this one publication the three major versions of Walt Whitman’s exquisite poems of love and lust between men, and then Betsy Erkkila’s new, provocative analysis of Whitman’s revisions of these poems, their sexual and affectional content, and their present import.”—Jonathan Ned Katz, author, Love Stories: Sex between Men before Homosexuality
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About the Author
Betsy Erkkila is the Henry Sanborn Noyes Professor of Literature at Northwestern University. She is the author of Mixed Bloods and Other American Crosses: Rethinking American Literature from the Revolution to the Culture Wars, The Wicked Sisters: Women Poets, Literary History, and Discord, Whitman the Political Poet, and Walt Whitman among the French: Poet and Myth.
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Product details
Series: Iowa Whitman Series
Paperback: 168 pages
Publisher: University Of Iowa Press; 1 edition (April 1, 2011)
Language: English
ISBN-10: 1587299585
ISBN-13: 978-1587299582
Product Dimensions:
4.9 x 0.5 x 8 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
2.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#1,311,056 in Books (See Top 100 in Books)
Betsy Erkkila's Walt Whitman's Songs of Male Intimacy and Love can be viewed as representing not only the author's ideas, but the views and insights of a sort of current orthodoxy in Walt Whitman studies. For this reason, every serious student of the poet should have a copy. This is not to say Erkkila is definitive in her treatment of the Calamus poems, but rather, that the book illustrates just how far the field has (and has not) matured, given a century of constant controversy over the issues of sex and shame in the poems of "manly love." As it stands, the book offers an interesting and valuable attempt to wrestle with some serious questions that have never been resolved. Scholars have traditionally approached Walt Whitman from a few different angles. The Evangelical Approach took the wildly-simplistic legend that Whitman's disciples spun in a first generation of gospels, and attempted to flesh out those facts, brags, and lies with supporting evidence. The culmination of the Evangelical Approach was Allen's naive and primitive Solitary Singer, and its many rehashes, such as Justin Kaplan's biography. The second way has perennally employed an Ivory Tower Approach, assaulting Whitman with the mumbo-jumbo du jour (Freudianism, semioticism, etc). The third, or Shotgun, Approach is to tally all cultural phenomena contemporaneous with Leaves of Grass, whether great or small, and declare each one a causative agent. Reynold's Walt Whitman's America--which doesn't seem to express a very strong interest in what Whitman actually wrote--is the gold standard for this brand of meltdown. The fourth approach is the diametric opposite: I call it the Rabbinical Approach, because it recognizes little no history or literature outside of Whitman's writings. I'm afraid the Rabbinical Approach scrutinizes Whitman's lifelong habit of poetical revisions with a kind of fetishistic singlemindedness. It's as if these tiny scratches, revisions, and fly-specks could encode earth-shaking secrets that Whitman became progressively ever more anxious to obscure. In practice, focusing on them can,--and all too often does--completely absolve the researcher from studying the culture at large. This mode is more aligned with Whitman orthodoxy than the others, so I invite you to guess how many times Erkkila quotes from insights into contemporary life found in Henry Stiles' vital History of Brooklyn; from the gay-rights novel, Joseph and His Friend, written by Whitmanite Bayard Taylor; or the astonishing gay-Quaker novel, Hugh Wynne, written by Whitman's own physician, S Weir Mitchell. That's right: zero. Erkkila has penned a book about gay rights in 19th-century America that never mentions Fourierism or Quakerism once--not even Susan B. Anthony. Instead, Erkkila spends much of her time repairing damage long ago done to our understanding of Whitman by homophobic voices that have already become irrelevant; and of course this even includes a little damage done by scraps of self-loathing retained by gay critics. Had the book been published in 1980, this would have felt like a serious breakthrough. In 2011, however, holding the book often feels like holding onto a fossil. The world of gay history has moved on, vastly far beyond any historical understanding reflected in this book. I encourage you to take advantage of Erkkila's many insights into Calamus, and then turn to fresher, sounder approaches, such as McDonald's Philosopher-Poet (a rigorous philosophy) or Robertson's Worshipping Walt (a rigorous biography).
All made-up fantasy about an artist of universal reknown. More literary theory from the Left. Only for college profs to use in the indoctrination of underclassmen.Your ideology is showing. It is rather scary, really.
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