Download , by Les A. Murray
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, by Les A. Murray
Download , by Les A. Murray
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Product details
File Size: 476 KB
Print Length: 337 pages
Publisher: Farrar, Straus and Giroux (August 12, 2014)
Publication Date: August 12, 2014
Language: English
ASIN: B00MEDTJY4
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Les Murray (born 1938) surely is one of the world's best living poets. NEW SELECTED POEMS contains about 360 poems from the 1960s through 2010, as selected by Murray himself. It is a splendid introduction to a great poet.I find it almost impossible to characterize Murray, but I will list some of the qualities or characteristics of these 360 poems: Most of them are relatively short (a page or less; the longest is ten pages). There is a wide range of styles and formats, although most of the poems employ formal measures to some extent and a goodly number also employ rhyme. Even greater in range is the subject matter of the poems. Many are set in Murray's native Australia (Murray writes that "three quarters of our continent [is] set aside for mystic poetry"), but Murray has a very good sense of the entire world. He knows high culture, but most of his poems center on laboring men and women, especially those who settled the Australian continent. He seems to have no ideologies, though he is a practicing Roman Catholic and the volume is dedicated "to the glory of God". For the most part he uses down-to-earth language (albeit Aussie English). The poems are shot through with energy, high spirits, humor, compassion, and a profound sense of history.From the evidence of NEW SELECTED POEMS, Murray writes about anything and everything. He has an extremely fecund imagination. What follows is a small sampling of the subjects found in these poems: eating Vindaloo at a restaurant in Wales; the gum forest; setting grass fires to facilitate agriculture and ranching; the emu; his mother's city of Newcastle; fencing (in the marvelously deft and imaginative "Time Travel"); removing a spider web; the shields of heraldry; those who read poetry and those who write it; the first and only time Murray skied; tectonic plates; money; the bronze bull of Wall Street; the marriage of his daughter; and the future. In one poem, he even includes Tony Hillerman's Navajo policeman Jim Chee. Unlike most poets, Murray's political poetry is both good and poetic.I offer "High Sugar" as a representative poem (though not my favorite, which is "Crankshaft" and at five pages is too long to quote here):Honey gave sweetnessto Athens and Rome,and later, when splendourmight rise nearer home,sweetness was still honeysince, pious or lax,every cloister had its apiaryfor honey and waxbut when kings and new doctrinesdrained those deep hivesthen millions of peoplewere shipped from their livesto grow the high sugarfrom which were refinedfrigates, perukes, human racesand the liberal mind.Per my usual practice, as I read through the book I marked those poems I would like to re-read at some point in the future. In all, I so marked thirty-nine poems. But should I live long enough, I think it possible that I re-read the entire collection. Murray is that good.
As an article in the May 2016 issue of The Atlantic said, Les Murray may be the best poet in the world. That is, of course, debatable. But he is clearly one of the greats of the last 50 years and anyone who loves poetry needs to be familiar with him. He is a magician with words and images, and no one captures the essence, the physical sense, the culture of Australia better. This collection is the one to get; published in revised form in 2014, it's a greatest hits of his career.
Les Murray: a master of refined and unrefined intelligence -- a blend so rare that he is a star all by himself in the galaxy of his own making. Although it makes you want to know more of the Australia and the Australians -- that breed of the non-understood folks, you don't read him for him being an Australian -- far from it -- but from what he is taken from his life, his landscape and for the alchemy of turning his world into his poetry.
I've kind of stayed away from Murray for years because he seemed too conservative. What a mistake. The man can write poetry. Wonderful sense of language, of timing, hits emotional and thoughtful notes with precision.
The greatest living poet writing in English. Of that, there is no doubt. His only real rival, Geoffrey Hill, to often lapses into mannered obscurantism. Murray's abilities with language are, at times, of a sublimity, emotional complexity, and technical accomplishment that put him in the first rank of poets of the last 125 years--in league with Yeats, Eliot, Frost, and more recently, Larkin. Larkin especially comes to mind. Murray has his same savage wit, his daring to mix the quotidian and mundane with the speculative and metaphyiscal, and his cynicism, but not, ultimately, his despair. There are "old fools" in Murray's work, but their lives have meaning and somewhere in them, a dignity. His unfashionable sacramental view of the universe, a universe that is filled with things that are not of themselves, but are charged with supernatural significance, looks decidely out-of-date. We live in a post-post modern age now, as the shape shifting deconstructions of Derrida and Foucault fade and as a kind of brutal, deterministic biologism more and more seems pervasive. Murray is a throwback, yes, but also an alternative: of how to write poetry, and maybe even of how to live.
He writes good.
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