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Testimony: The Memoirs of Dmitri Shostakovich (Limelight)
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Product details
Series: Limelight
Paperback: 350 pages
Publisher: Limelight; 8th Anniversary ed. edition (July 1, 2004)
Language: English
ISBN-10: 087910998X
ISBN-13: 978-0879109981
Product Dimensions:
6.1 x 0.9 x 9.2 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
45 customer reviews
Amazon Best Sellers Rank:
#388,761 in Books (See Top 100 in Books)
Indispensable, if incomplete. I have loved this book ever since it appeared in 1979. I left my old copy in a storage locker and bought it again. I wish the publisher had made an electronic version, but publishers rarely do what the rest of us want. If you love the music, then here is the same voice in conversation. Volkov's mediation is a tour de force. Back when the book first appeared, the Soviets were alive and kicking; they had fervent support in the West, and a huge attack was launched on this book, which was a dagger in the heart of the USSR's self-image. The old Soviet fans have long since moved on to different causes, while the issues raised in this book are eternal. The book is one-sided, but that's how it is with memoirs. In combination with a good scholarly source -- like Laurel Fay's book -- or another vantage point like Galina Vishnevskaya's autobiographical masterwork, Testimony will tell you all you need to know about the heart-rending history of Soviet Russia.
I will only add to what's been said by other reviewers that we don't need all the other evidence of the book's authenticity to know that this is no forgery. A forgery wouldn't need to be so brilliant, so darkly idiosyncratic, and so hilarious. There may have been editing going on, but every autobiography is edited. You don't need to care about music or Russia or Shostakovitch to find Testimony an amazing read.
Anybody who likes 20th century music -- AND 20th century history -- must read this. Great, one-of=a-kind autobiography.
An historic document in every sense. The clear-eyed sorrow and sardonic wit identify their owner unmistakably. One wishes he had had the time to extend and explore what is sometimes only hinted at. The clarifying footnotes are a distinct help to the Western reader. And the text's opinions and reports of Western attitudes, remind us how little we were allowed to know in those shadowed times.
Remarkable piece of work. It left me wanting to know more, so I am now reading Elizabeth Wilson's biography of the composer.
I often wonder if it is the dire condition that made Shostakovitch write such moving and effective music. To say that life under Stalin was not easy is a gross understatement. Shostakovitch was thought to be not protesting the situation sufficiently. Yet I am grateful that he trod the line carefully and survived to write his music as testimony for the world and future generations.
This is a tremendous book. I recommend it to anyone, but especially to musicians, who will appreciate the genius of Shostakovich even more when they read this first hand account about what a nightmare it was to be an artist in Stalinist Russia.
One can only fully appreciate Shostakovich's music, especially his symphonies, by understanding what his life was like within Soviet Russia at the time. His delicate relationship with Stalin and Soviet authorities, the constant threat of arrest and death for himself and his family, the fate of many of his friends. All of these realities are expressed in his music. This book is a chilling yet fascinating read.
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